The possibility of embedding any font you like into websites via @font-face is an additional stylistic device which promises to abolish the monotony of the usual system fonts. It surely would be all too easy if there was only one Web font format out there. Instead, there’s quite a variety, as you will get to know in this article.

This quick introduction to @font-face will lead you towards a guide through the @font-face kit generator. If you want to make Web use of your already licensed desktop fonts, read up on how to embed them from your own server. Topped up with some helpful tips, tricks and workarounds, this article will hopefully provide some useful insights.

Every now and then we look around, select fresh free high-quality fonts and present them to you in a brief overview. The choice is enormous, so the time you need to find them is usually time you should be investing in your projects. We search for them and find them so that you don’t have to.

In this selection, we’re pleased to present Pompadour Numeral Set, Lato, Crimson Text, Espinosa Nova, Musa Ornata, Spatha Sans, ColorLines, Roke1984, Neuton, Avro, Baurete and other fonts. Please note that some are for personal use only and are clearly marked as such. Please read the license agreements carefully before using the fonts; they may change from time to time.

For many beginners, the task of picking fonts is a mystifying process. There seem to be endless choices — from normal, conventional-looking fonts to novelty candy cane fonts and bunny fonts — with no way of understanding the options, only never-ending lists of categories and recommendations. Selecting the right typeface is a mixture of firm rules and loose intuition, and takes years of experience to develop a feeling for. Here are five guidelines for picking and using fonts that I’ve developed in the course of using and teaching typography.

Many of my beginning students go about picking a font as though they were searching for new music to listen to: they assess the personality of each face and look for something unique and distinctive that expresses their particular aesthetic taste, perspective and personal history. This approach is problematic, because it places too much importance on individuality.

Web typography has evolved a lot over the last years. Today we see rich, accessible typography, a plethora of type design choices for the web and a number of remarkable, type-based web designs. It’s a great time for web design, and it’s a great time for web typography. Still, being as excited as we are, we should not forget about the foundational principles of good type design on the web and use them properly within our projects. Great choice is good, but, most importantly, we should be making meaningful typographic choices in our designs.

In this post we present an extensive overview of educational resources, tools, articles, techniques and showcases all related to web typography. Please notice that the overview presents resources which we have stumbled upon, discovered, collected and reviewed over the last six months. This round-up is quite long, so save some time for a thorough study.

Creating great typeface combinations is an art, not a science. Indeed, the beauty of typography has no borders. While there are no absolute rules to follow, it is crucial that you understand and apply some best practices when combining fonts in a design. When used with diligence and attention, these principles will always yield suitable results. Today we will take a close look at some the best practices for combining typefaces — as well as some blunders to avoid.

By far the most popular principle for creating typeface combinations is to pair a sans serif header typeface with a serif body typeface. This is a classic combination, and it’s almost impossible to get wrong.

In the examples above — a typical article layout — we have Trade Gothic Bold No.2 paired with Bell Gothic on the left side. They are both sans serif typefaces. However, they have very different personalities. A good rule of thumb, when it comes to header and body copy design problems, is not to create undue attention to the personality of each font. Trade Gothic is arguably a no-nonsense typeface. Bell Gothic, on the other hand, is much more dynamic and outspoken.

Even though @font-face was introduced in the CSS2 spec in 1998, it wasn’t until this past year that all in-use web browsers added support for it. This year we’re seeing a wave of web font services being marketed, and this could have a profound impact on web typography.

Web font services, like Typekit and now the Google Font API, have captured a lot of attention. But in the past 3 months there’s been an explosion of new services; services like Fonts Live, Fontdeck, Webtype and others with conjugated names involving “Font” or “Type”.

While all of these services are unique, they each provide a tool for web designers and developers to legally display professional fonts on their website. The guide below compares 10 of these services, breaking down the pros and cons of each. We hope this comparison will help you make a more informed decision on which service to use when you venture into the ever-growing, sometimes confusing, world of web fonts.

Every now and then we look around, select fresh high-quality free fonts and present them to you in a brief overview. The choice is enormous, so the time you need to find them is usually time you should be investing in your current projects. We search for them and find them so that you don’t have to.

In this selection, we’re pleased to present Piron, Nobile, St Marie, Code, Arcus, Crimson Text, Quadranta, Juice, Prociono, Mr Jones, Ibarra Real and various useful symbol fonts. Please note that some fonts are for personal use only and are clearly marked as such. Please read the license agreements carefully before using the fonts; they can change from time to time.

You may be interested in the following related posts:

• 20 Fresh High-Quality Free Fonts
• 25 New High-Quality Free Fonts
• 15 Beautiful High-Quality Free Fonts
• 40 Excellent Free Fonts for Professional Design
• You can find over 80 more free fonts in our Fonts section.

Gentium Gentium is a typeface family designed to enable the diverse ethnic groups around the world who use the Latin script to produce readable, high-quality publications. It supports a wide range of Latin-based alphabets and includes glyphs that correspond to all the Latin ranges of Unicode. Gentium examples. District Thin A very calm, serious and impressive sans-serif free font from GarageFonts’ District family. The font is available as Mac Postscript, Mac TrueType, PC Postscript, PC [...]

The beauty of writing systems is that each has something unique from which to draw inspiration. Two weeks ago, in the first part of this article, we covered Arabic and East-Asian languages (Chinese, Japanese, Korean and Vietnamese) and a few Indic scripts (Devanagari, Thai and Tibetan).

We are now back for the second (and last) part, which is a bit different but just as interesting. You will see that some features of the languages presented here clearly correspond to our Latin-based system, while others are unfamiliar. The point of this second part is to complete our look at writing systems of the world and to think more generally about what they signify. We’ll cover Hebrew, Modern European scripts, Mongolian, Inuktitut and International Phonetic Alphabet.